Provocative Christmas Scenes at American Churches Push Back on ICE

Across the US, Christmas exhibits are on display that mock aggressive government immigration crackdowns. These installations retell the traditional nativity story, portraying the newborn Christ and his parents, Mary and Joseph, as figures affected by the tactics of immigration authorities.

An Evocative Interpretation in a Chicago Suburb

One striking display at a congregation in the Chicago suburb of Evanston features baby Jesus lying in a manger out in the snow. Yet, the doll is covered by the type of emergency blankets often distributed to those in custody and has its wrists bound with zip-ties.

Nearby, the statue of the Virgin Mary stands just outside the building, equipped with a gas mask. This item has been adopted by activists attempting to guard against tear gas. She is flanked by figures of Roman soldiers, however in this display they are wearing body armor marked with the letters “ICE.”

An Absent Holy Family

At another Windy City place of worship, the usual figures of the holy family are nowhere to be seen from the traditional display with animals and Magi. In their place, a sign bears a simple statement: “Because of enforcement actions in our neighborhood the holy family is in hiding.”

“The holiday season is a period when we have displays in front of the church and we get an opportunity to make a statement,” remarked a senior minister involved with one of the displays.

Messages Spread Nationwide

These artistic statements are extensions of the visible role taken by faith leaders in recent demonstrations against federal policies. Similar socially conscious displays have appeared in multiple states.

In one New England state, a parish removed the tiny figure of the baby Jesus from its nativity scene. In its spot was a hand-painted notice that stated: “ICE was here.” The parish are said to have remained firm in the face of criticism from both diocesan and agency officials.

Connecting Biblical Narrative and Modern Crisis

For the creators of these scenes, framing the ancient tale of the nativity within a contemporary political context draws focus to current government priorities. They contend that the holy family’s status as displaced persons mirrors the real anxieties and realities of numerous families today, encompassing family separation and the removal of working loved ones.

This is not the initial instance churches have used Christmas displays for social commentary. In previous years, installations have addressed topics ranging from conflict to the climate crisis.

Facing Criticism and Weathering the Elements

The messages are not always widely accepted. A clergy member involved noted that some critics either misinterpret the message or “consider it very difficult to their sense of right and wrong and are lashing out at the art rather than engaging with what the true meaning is.”

In a physical way, the elements have also impacted one display. At another location, the statue of Joseph was knocked over in a storm and could not be restored. A replacement sign now occupies the space, declaring: “Joseph didn’t make it. We keep this place to honor and remember all the those affected of immigration enforcement actions.”